Ryan and Tina UHM printmaking residency


Ryan Bavin of Bavin Glassworks is a glass artist and photographer who is based in Invermere, British Columbia. Ryan and his wife Tina came to the University of Hawaii at Manoa for a two week printmaking residency in Stone Lithography.

Ryan and Tina were new to lithography when they first arrived, and I was lucky enough to be the person who introduced the process/es of stone lithography to them. As the printmaking studio manager, part of my duty is to work with the visiting artists and make sure that they have a good experience during their residency. Ryan and Tina were both such quick learners that by day 3, they were able to etch and print their stones without much my assistance.

During the first two days of intensive introduction, we covered stone graining, the different drawing materials (how to use them, read them and etch them), counteretching for further additions and printing. Aside from stone lithography, they were also exposed to polyester plate lithography (aka smart plate/ pronto plate).

Both Ryan and Tina made amazing prints during their residency and is planning to return to the University for a second residency in 2019.

Ryan and Tina using the hand fan after graining

Ryan and Tina using the hand fan after graining

Ryan and Tina printing their stones

Ryan and Tina printing their stones

Extra lesson in polyester plate printing

Extra lesson in polyester plate printing

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Tina’s (manner noir + crayon) work in progress.

LRC (April) UH & PSU

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written by Scott Groeniger, for more information click here

VELOCITY FIELD [DATA DUMP]:
[LRC] performs at the 2016 Southern Graphics International Conference in Portland, Oregon


Demo Organizers: Lithopixel Refactory Collective (LRC) in collaboration with Dr. Eugene Magnier (Astronomer, PANSTARRS, Institute for Astronomy, University of Hawaii at Maona) and Dr. Richard Wainscoat (Research Specialist, Institute for Astronomy, University of Hawaii at Manoa)

Location & Time: 11-5, Fri Apr 1 / Portland State University, Neuberger Hall / Print Lab Rm 260

Velocity Field: [DATA_DUMP] is a multi-disciplinary collaboration between Lithopixel Refactory Collective [LRC] and the University of Hawaii Institute for Astronomy’s Panoramic Survey Telescope and Rapid Response System (PAN-STARRS). Piloted by a group of artists based at the University of Hawaii at Manoa, [LRC] is a temporary print and sound performance that is equal parts lithographic production studio and fluxist print performance installation. With this project, [LRC] seeks to explore the confluence of traditional printmaking, digital imaging, sound installation, and wide field astrophotography. The PS-1 wide field digital imaging telescope, developed at the University of Hawaii’s Institute for Astronomy, is designed to discover and characterize comets and asteroids that present a danger to our planet. One of the largest functioning digital cameras in the world, the PS-1 telescope makes hiresolution, gigapixel images of the entire night sky every evening. [LRC] has devised a process for outputting this image to an ordered set of tiled polyester plates; utilizing a high resolution, diffusion dithered, digital halftone pattern. Our printing process is a hybrid of art and science, combining tools and techniques spanning over 200 years of printmaking with cutting edge astrophotography, and digital image manipulation.

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Lithopixel Refactory Collective [LRC] is a group of artists based at the University of Hawaii at Manoa who are examining the absurdity of manufacturing, consumption, and destruction loops through the prism of traditional printmaking, digital imaging, and performance art.

[LRC] team performing at Portland State University on Friday, April 1st, 2016 are:
Charles Cohan (founding member/lithounit leader)
Scott Groeniger (founding member/digitalunit leader)
Peter Chamberlain (founding member/soundunit leader)
Rodney Bengston (founding member/video coordinator/documentation)
Soo Mei Teh (production leader/ head lithounit/ onsite documentation)
David Randall (lithounit)
Guen Montgomery (visiting lithounit)
Emmy Lingscheit (visiting lithounit)
Cassandra Ferguson (lithounit)
Joe Gonzalez (lithounit)
Taylor Johnson (production crew)
Terra Keck (produciton crew)
Nisha Pinijani (production crew)
Hannah Day (production crew)
Jeannie Randall (visiting production crew)
Jodi Arthur (visiting production crew)
Carlie Solomons (visiting lithounit)

Andrea Dezsö

The University of Hawai`i at Manoa had the honor to host the very talented, Andrea Dezsö during her residency from March 14th to 18th, 2016.

Her residency coincided with the exhibition SELECTIONS FROM THE COLLECTION OF ARM AND ROLLER PRESS, where four of her vitreograph blind prints were displayed.

Andrea Dezsö (Artist), Yoshimi Teh (Printer), Eric Cabato (Printer's Assistant)

Andrea Dezsö (Artist), Yoshimi Teh (Printer), Eric Cabato (Printer's Assistant)

Arm and Roller Press is the collaborative printing arm of Charles Cohan, professor of art at the University of Hawai‘i at Mānoa, also my mentor and boss. As a fine art printer for artists since 1990, Arm and Roller Press has accumulated a diverse collection through the production of numerous projects for various artists during the past 25 years. Arm and Roller Press also represents a collection of over 1000 prints, artists’ books, and printed ephemera that have been assembled through collaborative exchange folios and cooperative projects.

Selections from the Collection of Arm and Roller Press will highlight approximately 60 prints from artists working in North and South America, Europe, Australia, New Zealand, and South Africa, and provide a glimpse into the global range of traditional printmaking practices of the past 25 years. Intersections Visiting Artist Andrea Dezsö’s work is included in this exhibition.

During her week long residency, she worked on four stone lithographs ranging from small to large, printed by yours truly.

Find out where you can find Andrea Dezsö’s stone lithographs HERE.

Mokulito by Jenny Sanzaro-Nishimura

The printmaking studio at University of Hawai'i at Manoa had the pleasure to host visiting artist, Jenny Sanzaro-Nishimura during her residency from the 10th to 28th Febuary, 2016.

Jenny, who teaches at Queensland College of Art, demonstrated the mokulito printmaking process at the University and the Honolulu Printmakers during her residency at the University of Hawai'i printmaking studio.

Mokulito is also known as wood lithography, where the process is basically the same as stone lithography except instead of limestone, a wood block is used as the matrix.

"Provenance" in Adelaide


Provenance is the Adelaide Central School of Art's bi-annual fundraiser auction and exhibition; an unmissable opportunity to acquire original works of art from 76 living Australian artists.

2 lithographs by Mei Sheong Wong and Yoshimi Teh, made during Mei's stay as an artist in residence at the University of Hawai`i at Manoa.

As a non-profit organization, proceeds from this exhibition directly support the students of the School. Provenance will be held in the Teaching & Studio Building with auction held in the Gallery.

Exhibition Open for viewing | Monday 18 May to Friday 5 June 

Auction | Thursday 4 June 2015 | Doors open at 5:30pm for Auction at 7:00pm
Auction conducted by James Bruce of Theodore Bruce Auctions

Purchases can be made in person or online. Contact James Edwards, Gallery Assistant at james.edwards@acsa.sa.edu.au or 08 8299 7300 to make a purchase or place a bid. Purchases and silent bids accepted from 9am 18 May to COB 3 June 2015. 

To read more about the show, click HERE.