It was a privilege to work as a printer for Artist in Residence, Ho-Wan-Ut “Haila” Old Peter during session 3 (2018) at Pilchuck Glass School. As a traditional Puget Salish basketry weaver and teacher, Old Peter has devoted over twenty years to the art of basketry. Old Peter specializes in cedar and beargrass baskets with a heavy focus on patterns and contrasting colors. She is committed to teaching and preserving basketry for her family and tribal members. It was a unique collaboration as Old Peter had never experienced printmaking prior to her residency at Pilchuck Glass School. We spoke about the best ways to approach printmaking with her existing knowledge and practice of basketry and below are the resulting prints. Old Peter decided to keep some of the prints as she found them hard to part with, and some of the prints were generously donated to the Pilchuck Glass School collection.
The Laminated Print. Origin and Process of Chine Collé
I am very pleased to announce that my work will be showcased in The Laminated Print: Origins + Process of Chine Collé, a collaborative project that brings together contemporary printmakers, conservators, and art historians to inspire visual thinking about the process of chine collé and draw relationships to paper traditions from China and Japan.
My piece entitled "Communion” will be displayed along side prints by Charles Cohan, Duncan Dempster, Deborah Nehmad, and a selection of Chinese and Japanese scrolls and screens from the collection of the John Young Museum of Art. The scrolls and screens were selected and researched by Gary Liu, art historian and specialist in Chinese art, and Hiroko Sakurai, East Asian painting and paper conservator. Conservation workshops by Hiroko Sakurai and demos by chine collé printmakers will be held in conjunction with this exhibition.
Click here for more information.
"Communion" , 41" x 29", stone lithograph and chine-colle
Andrea Dezsö
The University of Hawai`i at Manoa had the honor to host the very talented, Andrea Dezsö during her residency from March 14th to 18th, 2016.
Her residency coincided with the exhibition SELECTIONS FROM THE COLLECTION OF ARM AND ROLLER PRESS, where four of her vitreograph blind prints were displayed.
Andrea Dezsö (Artist), Yoshimi Teh (Printer), Eric Cabato (Printer's Assistant)
Arm and Roller Press is the collaborative printing arm of Charles Cohan, professor of art at the University of Hawai‘i at Mānoa, also my mentor and boss. As a fine art printer for artists since 1990, Arm and Roller Press has accumulated a diverse collection through the production of numerous projects for various artists during the past 25 years. Arm and Roller Press also represents a collection of over 1000 prints, artists’ books, and printed ephemera that have been assembled through collaborative exchange folios and cooperative projects.
Selections from the Collection of Arm and Roller Press will highlight approximately 60 prints from artists working in North and South America, Europe, Australia, New Zealand, and South Africa, and provide a glimpse into the global range of traditional printmaking practices of the past 25 years. Intersections Visiting Artist Andrea Dezsö’s work is included in this exhibition.
During her week long residency, she worked on four stone lithographs ranging from small to large, printed by yours truly.
Find out where you can find Andrea Dezsö’s stone lithographs HERE.
"Dirty Fingers" by Matthew Newkirk
The opening of Dirty Fingers will be on November 27th (Fri) from 6 - 10pm, an exhibition of traditional printmaking with a dark twist. The exhibition will be held at LoveLove Studios, 25 Railway TCE, Milton.
This exhibition includes over 25 local and international artists.
I was ecstatic to hear that my print was selected by Matthew Newkirk as the exhibition announcement image.
Exhibition Announcement by Matthew Newkirk.
(Image: lithograph by Yoshimi The)
Awagami International Miniature Print Exhibition
Image taken by Awagami Factory staff
I am honored to be a part of the Awagami International Miniature Print Exhibition 2015. At the AIMPE 2015, held to commemorate the 27th anniversary of the Awagami Factory. The exhibition will be held at the old factory site which has been renovated into the Inbe Art Space, located in Yoshinogawa City, Tokushima.
On view from 2015.10.10 (Sat.) - 2015.11.8 (Sun.)
Photographs of print arrival taken by the AIMPE staff.
(Bottom right: lithograph + chine-colle by Yoshimi Teh)
"uhuh." print exhibition in Brisbane
Exhibition poster (design and printed by me)
Large scale prints by Charles Cohan
(photo by Jonathan Tse)
View of exhibition during an artist talk
(photo by Jonathan Tse)
"Provenance" in Adelaide
Provenance is the Adelaide Central School of Art's bi-annual fundraiser auction and exhibition; an unmissable opportunity to acquire original works of art from 76 living Australian artists.
As a non-profit organization, proceeds from this exhibition directly support the students of the School. Provenance will be held in the Teaching & Studio Building with auction held in the Gallery.
Exhibition Open for viewing | Monday 18 May to Friday 5 June
Auction | Thursday 4 June 2015 | Doors open at 5:30pm for Auction at 7:00pm
Auction conducted by James Bruce of Theodore Bruce Auctions
Purchases can be made in person or online. Contact James Edwards, Gallery Assistant at james.edwards@acsa.sa.edu.au or 08 8299 7300 to make a purchase or place a bid. Purchases and silent bids accepted from 9am 18 May to COB 3 June 2015.
To read more about the show, click HERE.
Honolulu Printmakers 87th Annual Exhibition
I am beyond grateful to be one of the recipients for the award of excellence in the 87th annual juried exhibition of Honolulu Printmakers.
Juror: Sonnernzimmer: Chicago-based screenprinting duo.
2014 Gift Print Artist: Paul Weissman: Architect and printmaker whose print will address the politics of water usage and scarcity in Hawai‘i.
Opening Reception: Feb 25, 5-7pm
Gallery hours: Tues-Sat from 10am-4:30pm and Sun at 1-5pm
Exhibition Dates: Thurs, Feb 26th - Fri, March 20th
Image from Printeresting
